“A Non-Objective Couple”

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" anchor="" in_content_menu="" content_menu_title="" icon_pack="font_awesome" content_menu_fa_icon="" content_menu_fe_icon="arrow_back" text_align="left" video="" video_overlay="" video_overlay_image="" video_webm="" video_mp4="" video_ogv="" video_image="" background_image="" pattern_background="" section_height="" parallax_speed="" background_color="" border_color="" side_padding="" padding_top="" padding_bottom="" color="" hover_color="" more_button_label="" less_button_label="" button_position="" css_animation="" transition_delay="" el_id=""][vc_column width="1/1"][vc_separator type="normal" position="center"][/vc_column][/vc_row][vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" anchor="" in_content_menu="" content_menu_title="" icon_pack="font_awesome"...

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UES Shapolsky Gallery Hangs Painter Russell Connor’s History of Art

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" anchor="" in_content_menu="" content_menu_title="" icon_pack="font_awesome" content_menu_fa_icon="" content_menu_fe_icon="arrow_back" text_align="left" video="" video_overlay="" video_overlay_image="" video_webm="" video_mp4="" video_ogv="" video_image="" background_image="" pattern_background="" section_height="" parallax_speed="" background_color="" border_color="" side_padding="" padding_top="" padding_bottom="" color="" hover_color="" more_button_label="" less_button_label="" button_position="" css_animation="" transition_delay=""][vc_column width="1/1"][vc_gallery type="flexslider_fade" interval="3" images="3380,3381,3382,3383" onclick="link_image" custom_links_target="_self" column_number="2" grayscale="no" choose_frame="default"][vc_empty_space height="32px"][vc_column_text] By Ashley...

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Illustration by Tiffany Fang

‘Past and Present Perfect’ blends modern, classic art by Columbia Daily Spectator

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" anchor="" in_content_menu="" content_menu_title="" icon_pack="font_awesome" content_menu_fa_icon="" content_menu_fe_icon="arrow_back" text_align="left" video="" video_overlay="" video_overlay_image="" video_webm="" video_mp4="" video_ogv="" video_image="" background_image="" pattern_background="" section_height="" parallax_speed="" background_color="" border_color="" side_padding="" padding_top="" padding_bottom="" color="" hover_color="" more_button_label="" less_button_label="" button_position="" css_animation="" transition_delay=""][vc_column width="1/1"][vc_empty_space height="32px"][vc_column_text] By Kelsey Ables Spectator Staff Writer April 16, 2015, 2:25am What’s the difference...

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Many Faces of Abstraction

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" anchor="" in_content_menu="" content_menu_title="" icon_pack="font_awesome" content_menu_fa_icon="" content_menu_fe_icon="arrow_back" text_align="left" video="" video_overlay="" video_overlay_image="" video_webm="" video_mp4="" video_ogv="" video_image="" background_image="" pattern_background="" section_height="" parallax_speed="" background_color="" border_color="" side_padding="" padding_top="" padding_bottom="" color="" hover_color="" more_button_label="" less_button_label="" button_position="" css_animation="" transition_delay=""][vc_column width="1/2"][image_with_text image="3195"] Andy Moses, Dimentia at Dawn, 2007, Acrylic on Canvas, 16"...

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